Eddie Murphy plays a past-his-prime entertainer who refuses to let the industry cast him aside in Dolemite Is My Name.
François Duhamel/The Associated Press
For the fortunate few in Hollywood, Monday was a time to pop some early-a.m. Champagne and pretend like they had just woken up (and not been glued to the television the entire morning). For others, it was a time to stew. It happens every year after the Academy of Motion Picture Arts and Sciences announces its award nominations there is only so much Oscar love to go around. Yet this year, the names left off the ballot seem especially egregious, given the overwhelming male and lily-white complexion of the nominees. To wit, The Globe and Mail presents an abridged list of this years most surprising Oscar snubs.
Greta Gerwig, Little Women: Critics and Little Women supporters walked into Monday mornings announcement expecting the worst, given that the Academy doesnt have the best track record (actually, probably the worst track record) in spotlighting female directors. But the pessimistic expectations didnt quite soften the blow, as bypassing Gerwig in favour of Jokers Todd Phillips seems like an especially malicious and/or ignorant move. Expect riots in certain corners of Twitter if Phillips actually manages to take the Oscars top trophy next month.
Eddie Murphy and DaVine Joy Randolph, Dolemite Is My Name: Netflix seems to have spent most of its energy pushing the awards prospects of Marriage Story and The Irishman (with a good deal of success; congratulations to the streaming service and its bags of money). While Noah Baumbach and Martin Scorseses films are more than worthy contenders, would it have killed Netflix to devote some of its many resources toward the stars of its Hollywood comedy Dolemite Is My Name? Eddie Murphy lets loose with supreme ease as the films lead, a past-his-prime entertainer who refuses to let the industry cast him aside (huh!), while DaVine Joy Randolph matches her co-star in every way, playing a showbiz newcomer who quickly finds her voice.
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Adam Sandler, Uncut Gems: It is not wholly surprising that the Academy decided to ignore the Sandman it might be a mental step too far for members who are still recovering from accidentally streaming the first few minutes of The Ridiculous 6. But Sandlers work in Uncut Gems is evidence that the actor is only trying about 5 per cent of the time. And when he does, the results are intensely impressive. His performance as degenerate gambler Howard Ratner in Josh and Benny Safdies new film is mesmerizing work.
Song Kang-ho does tremendous work as a below-the-lower-class patriarch in Parasite, Barry Hertz writes.
Courtesy of MK2 Mile End
Song Kang-ho, Parasite: Bong Joon-hos exhilarating and immensely rewatchable thriller is the best movie of the year, full stop a reality that the Academy has fortunately recognized, awarding it six nominations including Best Picture. But key to the films success is leading man Song Kang-ho, a regular collaborator of Bongs who does tremendous work here as a below-the-lower-class patriarch desperate to climb one rung up the societal ladder.
Noah Baumbach, Marriage Story: At least Baumbach, the director of one of the years best and trickiest movies, a complicated and intense hybrid of dark drama and high comedy, can commiserate with partner Gerwig about both being shutout of the Best Director category.
Jennifer Lopez has a powerful supporting turn as a dancer-turned-criminal mastermind in Hustlers.
Courtesy of STX / Elevation
Jennifer Lopez, Hustlers: Lorene Scafarias crime drama seemed like such a sure thing coming off its Toronto International Film Festival premiere this past September. But then the fall stretched on and the fissures in the strippers-turn-the-exploitation-tables saga began to show. The film is a propulsive ride, but it also cuts as many dramatic and narrative corners as its anti-heroes. What hasnt lost power, though, is Jennifer Lopezs supporting turn as a dancer-turned-criminal mastermind a role that succeeds just as much as it does from Lopezs own career arc as it does her smoothly seductive performance.
Robert De Niro, The Irishman: It was inevitable that Joe Pesci would get most of The Irishmans attention, given that the man has acted so little over the past few decades that any appearance would spark hes-been-sorely-missed sympathy. But the films slipperiest work comes instead from De Niro playing the films titular role. Hes working at a lower, less attention-grabbing pitch than Pesci or Al Pacino and has been appearing onscreen so regularly compared to the former that audiences and Academy voters feel justified in taking the actor for granted.
Zhao Shuzhen and Awkwafina, The Farewell: A veteran actress in China, Zhao Shuzhen should have been thrust onto the international stage with her supporting role in Lulu Wangs The Farewell. Yet aside from a smattering of critics guilds, Shuzhen has been ignored by the industrys largest and flashiest awards bodies, which is a true shame. Her work as Nai Nai, a kind-but-prickly grandmother unknowingly facing a cancer diagnosis, anchors Wangs family drama with sincerity, nerves and genuine vibrancy. And as for lead actress Awkwafinas snub, despite her Golden Globe Award? Unconscionable.
Lupita Nyongo has a twin performance as a woman and her evil doppelganger in Us.
Claudette Barius/The Associated Press
Lupita Nyongo, Us: After a rewatch, Jordan Peeles follow-up to Get Out loses some of its power the style remains strong, but the plot feels sillier and sloppier than on first exposure. Yet Lupita Nyongos twin performance as a woman and her evil doppelganger only feels stronger, once you realize just how much Peele is asking of her. Compared to the fairly one-dimensional, sketchlike work of, say, Charlize Theron in Bombshell, Nyongos exclusion from this mornings nominee slate seems like an act of embarrassing Academy ignorance.
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Willem Dafoe, The Lighthouse: I wasnt as high on Robert Eggerss follow-up to The Witch as others, but the gonzo-for-gonzo-sake freak show does feel furiously alive whenever Dafoes crusty seaman is onscreen. Which is often whether hes taunting co-star Robert Pattinson with his flatulence, singing shanties to no one in particular, or getting buried chin-deep in the cold soil of Nova Scotia. Give the man some acclaim for his suffering and for making that suffering look so good.
Paul Walter Hauser, Richard Jewell: There are many problems with Clint Eastwoods drama focusing on the eponymous 1996 Olympics security guard wrongly fingered as a bomber Im still trying to get Olivia Wildes strikingly bad performance to stop rattling the insides of my skull. But Paul Walter Hausers work as the man at the centre of the scandal is gently brilliant, and the stuff that careers are built upon. Given Richard Jewells muted reception, it is likely that the character actor may never get such an opportunity to shine again.
The cast of Cats: Just kidding.
Todd Phillips Joker topped all films with 11 Academy Awards nominations, while The Irishman, Once Upon a Time … in Hollywood and 1917 all trailed close behind with 10.The Associated Press
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